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Arturia pigments 3 vs serum
Arturia pigments 3 vs serum








Read More by Vincenzo Bellanova (05-2022) Saturated Facts – An Investigation Saturation is a key tool of mixing engineers, but there seems to be a good deal of confusion about what it is and how it works. Read More by David Baer (05-2022) Anatomy of a Patch – Ambient Pluck in Massive X In this new installment of Anatomy of a Patch, we will keep designing with Massive X, programming an ethereal, atmospheric pluck. Read More by Vincenzo Bellanova (07-2022) A Mighty Universal Modulator With a modest investment of time and money, you could add an extraordinary amount of modulation capability to your entire plug-in collection. What’s the deal with oversampling anyway? Should you worry about it? Read More by David Baer (07-2022) Anatomy of a Patch 28 – Non-Musical Patches With soft synths we can face non-musical challenges, like creating engine sounds, whooshes, insects, UI sounds, and much, much more. Read More by SoundBytes Magazine (07-2022) Oversampling – What, Why and When Some of your plug-ins offer processing using oversampling. Read More by Vincenzo Bellanova (09-2022) Effective Compression Made Easy (by Special Guest Writer Luke DeLalio) The key to learning to use compressors effectively is found two simple visual metaphors – give this lesson a poke and hang in there. Anatomy of a Patch – Two Bass Sounds with Arturia Pigments’ Analog Engine In this installment we use the analog engine in Pigments 3 to create to interesting bass patches.










Arturia pigments 3 vs serum